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In the Wings

Backstage glimpses with Boston Lyric Opera

Richard Dyer

Richard Dyer is a distinguished writer and lecturer. He wrote about music for The Boston Globe for more than 30 years, serving as chief music critic for most of that time. He has twice won the Deems Taylor/ASCAP Award for Distinguished Music Criticism.

Recent Posts

OPERA in the 20th & 21st Centuries: BLO’s 2017/18 Season

May 26, 2017 1:22:19 PM
By Richard Dyer posted in BLO

Boston Lyric Opera will again journey to four different performance venues, but the Company remains committed to strongly theatrical productions of meaningful works—three contrasting 20th-century operas and the World Premiere of an opera from the 21st century.
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360-Degree Art Form: Rosetta Cucchi

Apr 14, 2017 5:05:41 PM
By Richard Dyer posted in BLO, #BLO40, #FigaroBLO, Rosetta Cucchi

Rosetta Cucchi Directs The Marriage of Figaro and Much More. She enjoys a strong advantage over most directors active in opera today – she reads music and understands it.
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Jane Eaglen’s Battle Cry: In It for the Music

Mar 1, 2017 3:01:13 PM
By Richard Dyer posted in BLO, #BLO40, HIGH FIVE, #RakesBLO

Jane Eaglen made her American debut with the Boston Pops Esplanade Orchestra in the Hatch Memorial Shell on July 3 and 4, 1992. The soprano had been singing professionally in her native Britain for eight years and stood on the cusp of what turned out to be a major international career.
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The Man about Town: David Cushing Sings in Rake and Figaro

Feb 25, 2017 10:28:56 AM
By Richard Dyer posted in BLO, #BLO40, HIGH FIVE, #RakesBLO

David Cushing: The man to talk to about in the second half of Boston Lyric Opera's 2016/17 Season. The New Hampshire-born bass-baritone is the only soloist who will appear in both of the remaining productions, Stravinsky's The Rake's Progress and Mozart's The Marriage of Figaro.
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Mark Anthony Turnage Interview

Nov 15, 2016 4:39:57 PM
By Richard Dyer posted in #GreekBLO

The world premiere of Mark Anthony Turnage’s first opera, Greek, took place on June 17, 1988 in Munich, Germany. The British composer had just turned 28, and his violent, visceral, in-your-face adaptation of the Oedipus myth propelled him into the forefront of composers of his generation.
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Powerful and Strong: Joan Anton Rechi, revival director, talks Carmen

Sep 21, 2016 10:15:56 AM
By Richard Dyer

Since 1999, Calixto Bieito has probably become the most prominent stage director for opera in Europe, and certainly the most controversial. His production of Carmen has made the Catalan director internationally famous – over the last 17 years, it has been revived in more than a dozen cities in Spain, the rest of Europe, Scandinavia, South America, and now the United States
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Roger Honeywell: From Actor to Opera Singer

Apr 19, 2016 9:03:00 AM
By Richard Dyer posted in 2015/16 Season, behind the scenes, Interview, Lehar, The Merry Widow

A couple of years ago, Roger Honeywell did the math and realized he had worked full-time as a professional opera singer longer than he had worked full-time as a professional actor. And then he tweeted, “I guess I can now stop acting as if I'm an opera singer…”
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Operetta's Leading Lady: The Role of the Merry Widow

Mar 28, 2016 12:35:00 PM
By Richard Dyer posted in 2015/16 Season, Lehar, The Merry Widow, Coda

Operetta's Leading Lady: The Role of the Merry Widow
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Werther Lives On: Sequels through the Ages

Mar 18, 2016 5:13:00 PM
By Richard Dyer posted in 2015/16 Season, Goethe, Long Reads, Werther

Werther Lives On: Sequels through the Ages
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Alex Richardson Dives into Werther: An Interview with Richard Dyer

Mar 16, 2016 5:23:00 PM
By Richard Dyer posted in 2015/16 Season, behind the scenes, Interview, Werther

Alex Richardson Dives into Werther: An Interview with Richard Dyer
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