In 1920, dozens of Harvard students were called in one by one to answer questions before a Secret Court seeking our homosexual students and staff.
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Thomas Mallon shares his thoughts and experiences with Fellow Travelers as both his novel and an opera.
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Executive Order 10450 prohibited the federal government from hiring gay and lesbian people changing the lives of thousands government employees.
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Learn about one of the most powerful stories in opera. Fellow Travelers comes to life under the direction of Peter Rothstein at Boston Lyric Opera.
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Thalia Cruz shares her experience as a summer intern at Boston Lyric Opera. She writes her thoughts on how opera has impacted her and her future.
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The 2018/19 Community Engagement & Education Intern considers her Season at BLO and the Company's work alongside THE RAPE OF LUCRETIA and THE HANDMAID'S TALE.
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Now about to turn 70, Poul Ruders has created an immense catalogue of music, diverse, distinctive, and distinguished.
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Paul Bentley is the very model of a modern multi-purpose man: an actor, author, singer, historian and opera-lover; he wrote the libretto for THE HANDMAID'S TALE.
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Imagine living in a world that tells you what to wear, where to live, what your position and value to society is and how to procreate. What would happen if choice was taken away from you?
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Why are there so many feminist dystopias in fiction and so few in opera? Can The Handmaid’s Tale, as both an opera and the foremother of the genre, bridge this gap?
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